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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-644</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ТЕОРИЯ И ИСТОРИЯ КИНО | ЭКРАННЫЕ ИСКУССТВА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>FILM THEORY AND FILM HISTORY| AUDIOVISUAL ARTS</subject></subj-group></article-categories><title-group><article-title>Структурный анализ киноперсонажей</article-title><trans-title-group xml:lang="en"><trans-title>Structural Analysis of Film Characters</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Бойко</surname><given-names>Михаил Евгеньевич</given-names></name><name name-style="western" xml:lang="en"><surname>Boyko</surname><given-names>Mikhail E.</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Государственный литературный музей</institution><country>Россия</country></aff><aff xml:lang="en"><institution>State Literature Museum</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2016</year></pub-date><pub-date pub-type="epub"><day>09</day><month>04</month><year>2024</year></pub-date><volume>8</volume><issue>2(28)</issue><fpage>23</fpage><lpage>32</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Бойко М.Е., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Бойко М.Е.</copyright-holder><copyright-holder xml:lang="en">Boyko M.E.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/644">https://www.vestnik-vgik.com/jour/article/view/644</self-uri><abstract><p>В статье рассматриваются структуралистские методы анализа киноперсонажей. Раскрывается специфика структурного анализа киноперсонажей в сравнении со структурным анализом литературных персонажей. Предлагается формализация структурного анализа киноперсонажей с помощью теории множеств и семиотических формул. Ключевые слова: искусствоведение, киноведение, киноперсонаж, семиотика кино, структурный анализ, характер персонажа</p></abstract><trans-abstract xml:lang="en"><p>The article explores the structuralist analysis of film characters as compared to that of literary ones and formalizes the analysis of film characters by means of the set theory and semiotic formulas.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>искусствоведение</kwd><kwd>киноведение</kwd><kwd>киноперсонаж</kwd><kwd>семиотика кино</kwd><kwd>структурный анализ</kwd><kwd>характер персонажа</kwd><kwd>art history</kwd><kwd>film studies</kwd><kwd>film character</kwd><kwd>semiotics of cinema</kwd><kwd>structural analysis</kwd><kwd>fiction character</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Барт Р Нулевая степень письма. - М.: Академический проект, 2008. - 431 с.</mixed-citation><mixed-citation xml:lang="en">Барт Р Нулевая степень письма. - М.: Академический проект, 2008. - 431 с.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Бойко М.Е. 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The Cambridge Сompanion to Narrative. - Cambridge: Cambridge University Press, 2007. - P 66-79.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
