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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-449</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>НАУЧНАЯ ЛАБОРАТОРИЯ | ИССЛЕДОВАНИЯ МОЛОДЫХ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>RESEARCH LABORATORY | EXPLORATION OF THE YOUNG</subject></subj-group></article-categories><title-group><article-title>Магический реализм Андре Дельво</article-title><trans-title-group xml:lang="en"><trans-title>Magic Realism of André Delvaux</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Закревская</surname><given-names>Анна Андреевна</given-names></name><name name-style="western" xml:lang="en"><surname>Zakrevskaya</surname><given-names>Anna Andreyevna</given-names></name></name-alternatives><email xlink:type="simple">у-mulholand_drive@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ВГИК</institution><country>Россия</country></aff><aff xml:lang="en"><institution>VGIK</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2013</year></pub-date><pub-date pub-type="epub"><day>08</day><month>04</month><year>2024</year></pub-date><volume>5</volume><issue>2(16)</issue><fpage>134</fpage><lpage>143</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Закревская А.А., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Закревская А.А.</copyright-holder><copyright-holder xml:lang="en">Zakrevskaya A.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/449">https://www.vestnik-vgik.com/jour/article/view/449</self-uri><abstract><p>В статье рассматриваются художественные особенности главных фильмов малоизвестного бельгийского режиссера Андре Дельво с точки зрения соединения в них элементов магического, иррационального и видимых признаков узнаваемой повседневной реальности. При помощи воображаемых пространства и кинематографического времени в картинах, которые хотелось бы отнести к «магическому» реализму, открывается особая ««правда жизни» — смена угла зрения позволяет увидеть скрытые глубины и тайну, создать более сложную картину мира.</p></abstract><trans-abstract xml:lang="en"><p>The article explores the artistic merit of the underestimated Belgian director’s major films which combine magic irrational elements with visible real life attributes. Employing imaginary space and cinematic time in the films which could be classified as “magic realism”, helps reveal a specific truth: the shift of the angle enables one to see the hidden depth and the mystery, to create a complex picture of the world.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Андре Дельво</kwd><kwd>магический реализм</kwd><kwd>недооцененный режиссер</kwd><kwd>образ пространства</kwd><kwd>образ времени</kwd><kwd>André Delvaux</kwd><kwd>magic realism</kwd><kwd>underestimated director</kwd><kwd>image of the space</kwd><kwd>image of the time</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Лотман Ю., Цивьян Ю. Диалог с экраном. — Таллинн: Александра, 1994.</mixed-citation><mixed-citation xml:lang="en">Лотман Ю., Цивьян Ю. 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