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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-410</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>КУЛЬТУРА ЭКРАНА | КУЛЬТУРОЛОГИЯ И ФИЛОСОФИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>SCREEN CULTURE | CULTUROLOGY. PHILOSOPHY</subject></subj-group></article-categories><title-group><article-title>Идеи философского диалогизма и «пирамида» Кесьлевского</article-title><trans-title-group xml:lang="en"><trans-title>Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Михеева</surname><given-names>Юлия Всеволодовна</given-names></name><name name-style="western" xml:lang="en"><surname>Mikheeva</surname><given-names>Yulia Vsevolodovna</given-names></name></name-alternatives><email xlink:type="simple">jmikheeva@zmail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ВГИК</institution><country>Россия</country></aff><aff xml:lang="en"><institution>VGIK</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2012</year></pub-date><pub-date pub-type="epub"><day>08</day><month>04</month><year>2024</year></pub-date><volume>4</volume><issue>4(14)</issue><fpage>50</fpage><lpage>63</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Михеева Ю.В., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Михеева Ю.В.</copyright-holder><copyright-holder xml:lang="en">Mikheeva Y.V.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/410">https://www.vestnik-vgik.com/jour/article/view/410</self-uri><abstract><p>В статье анализируется спонтанное проявление идей философского диалогизма в кинематографе Кшиштофа Кесьлевского. Прослеживается эволюция творческой мысли режиссера в отображении состояния сознания современного человека. Углубленное исследование сложных духовных исканий личности приводит режиссера (в позднем периоде его творчества) к выводам, созвучным философским идеям эпохи постхристианства.</p></abstract><trans-abstract xml:lang="en"><p>The author analyzes the spontaneous demonstration of the ideas of philosophical dialogism in the films of Krzysztof Kieslowski. She investigates the evolution of the creative thinking of the director depicting the state of feelings of the present-day people. The deep insight into the individual’s intricate spiritual quest leads Kieslowski of the late period to the conclusions consonant with the philosophical ideas of Post-Christianity. </p></trans-abstract><kwd-group xml:lang="ru"><kwd>философский диалогизм</kwd><kwd>экзистенциальное событие</kwd><kwd>постхристи анство</kwd><kwd>монологический и диалогический кинематограф</kwd><kwd>philosophical dialogism</kwd><kwd>existential event</kwd><kwd>Post-Christianity</kwd><kwd>monological and dialogical cinema</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Бубер М. Два образа веры. — М.: Республика, 1995.</mixed-citation><mixed-citation xml:lang="en">Бубер М. 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