В статье исследуется принцип системного художественного повторения в фотографии на уровне структурного языка феномена, с выделением его внутренних различий и специфики в пространстве кинематографической аналогии.
The article highlights certain artistic and esthetical aspects of the systematic change in the art of the first half of the 20th century. Based on specific factors, the author discovers a num ber of basic criteria for the artistic, esthetical and structural evaluation of post-visual phrases (relevant for both post-visual phrase of the first half of the 20th century and that one of the second half of the 20 th century and the beginning of the 21st century).
The authors declare that there are no conflicts of interest present.