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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-380</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>КИНОЯЗЫК И ВРЕМЯ | ГЕНЕЗИС ОБРАЗА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>FILM LANGUAGE AND TIME | IMAGE GENESIS</subject></subj-group></article-categories><title-group><article-title>Парадоксы оттепели</article-title><trans-title-group xml:lang="en"><trans-title>The Paradoxes of the Thaw Period</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Зайцева</surname><given-names>Лидия Алексеевна</given-names></name><name name-style="western" xml:lang="en"><surname>Zaitseva</surname><given-names>Lydia Alexeyevna</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ВГИК</institution><country>Россия</country></aff><aff xml:lang="en"><institution>VGIK</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2012</year></pub-date><pub-date pub-type="epub"><day>08</day><month>04</month><year>2024</year></pub-date><volume>4</volume><issue>2-3(12-13)</issue><fpage>58</fpage><lpage>66</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Зайцева Л.А., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Зайцева Л.А.</copyright-holder><copyright-holder xml:lang="en">Zaitseva L.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/380">https://www.vestnik-vgik.com/jour/article/view/380</self-uri><abstract><p>Особое место в истории культуры России занимает период оттепели, получивший свое название с легкой руки Ильи Эренбурга. Этот период характеризуется сложными, противоречивыми тенденциями, которые рассмотрены в представленной статье на примере анализа фильма ««Застава Ильича» М. Хуциева и Г. Шпаликова.</p></abstract><trans-abstract xml:lang="en"><p>The so called Thaw Period which got its name thanks to Ilya Ehrenburg, holds a specific place in the history of Russian culture. It is characterized by complex contradictory tendencies viewed by the author using the film «Ilyich Gate» (dir. M. Khutsiev, sc. G. Shpalikov) as an example. </p></trans-abstract><kwd-group xml:lang="ru"><kwd>время перемен</kwd><kwd>поколение шестидесятых</kwd><kwd>психологический портрет молодежи</kwd><kwd>стилевая доминанта кинонаблюдения</kwd><kwd>настроения времени</kwd><kwd>документально-поэтический стиль</kwd><kwd>period of change</kwd><kwd>1960s generation</kwd><kwd>youth profile</kwd><kwd>stylistic focus of viewing</kwd><kwd>spirit of the time</kwd><kwd>poetic documentary style</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Вознесенский А.А. Собрание сочинений в 6 томах. — М.: Вагриус, 2001-2005.</mixed-citation><mixed-citation xml:lang="en">Вознесенский А.А. Собрание сочинений в 6 томах. — М.: Вагриус, 2001-2005.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Эренбург И. Оттепель. // Собрание сочинений в 9 томах: Том 6. — М.: Художественная литература, 1965. — 686 с.; С. 7-128.</mixed-citation><mixed-citation xml:lang="en">Эренбург И. Оттепель. // Собрание сочинений в 9 томах: Том 6. — М.: Художественная литература, 1965. — 686 с.; С. 7-128.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
