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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-305</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Аксиология исторической дихотомии политической «окраски» отечественного экранного контента</article-title><trans-title-group xml:lang="en"><trans-title>Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone"</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Ильченко</surname><given-names>Сергей Николаевич</given-names></name><name name-style="western" xml:lang="en"><surname>Ilchenko</surname><given-names>Sergei Nikolayevich</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>СПбГУ</institution><country>Россия</country></aff><aff xml:lang="en"><institution>St. Petersburg State University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2011</year></pub-date><pub-date pub-type="epub"><day>08</day><month>04</month><year>2024</year></pub-date><volume>3</volume><issue>1(7)</issue><fpage>124</fpage><lpage>133</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Ильченко С.Н., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Ильченко С.Н.</copyright-holder><copyright-holder xml:lang="en">Ilchenko S.N.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/305">https://www.vestnik-vgik.com/jour/article/view/305</self-uri><abstract><p>Статья посвящена анализу образа противостояния политических сил в истории России XX века, которое нашло свое отражение в отечественной экранной продукции. Проблема отношений между «красными» и «белыми» рассматривается автором на примере фильмов и сериалов с точки зрения ценностных ориентиров враждующих общественных сил.</p></abstract><trans-abstract xml:lang="en"><p>The article analyses the political confrontations in Russian history of the 20th century as reflected in domestic audiovisual productions. The problem of the relationship between "the Reds" and "the Whites" is investigated by the author through films and TV shows in terms of the value systems of the belligerent social forces.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>телевидение</kwd><kwd>кинематограф</kwd><kwd>история</kwd><kwd>армия</kwd><kwd>аксиология</kwd><kwd>массовое сознание</kwd><kwd>цвет</kwd></kwd-group><kwd-group xml:lang="en"><kwd>television</kwd><kwd>cinema</kwd><kwd>history</kwd><kwd>army</kwd><kwd>axiology</kwd><kwd>collective consciousness</kwd><kwd>color</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Богомолов Ю.А. Затянувшееся прощание: Российское кино и телевидение в меняющемся мире. - М.: 2006.</mixed-citation><mixed-citation xml:lang="en">Богомолов Ю.А. 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