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<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.3 20210610//EN" "JATS-journalpublishing1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-281</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Динамика женских образов в кино Центральной Азии</article-title><trans-title-group xml:lang="en"><trans-title>The Development of Female Characters in Central Asian Cinema</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Абикеева</surname><given-names>Гульнара Ойратовна</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="western" xml:lang="en"><surname>Abikeeva</surname><given-names>Gulnara Oiratovna</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-2"/></contrib></contrib-group><aff xml:lang="ru" id="aff-1"><institution>Казахская
национальная академия искусств им. Т.К. Жургенова;
ВГИК</institution><country>Russian Federation</country></aff><aff xml:lang="en" id="aff-2"><institution>the Kazakh National Academy of Arts named after T. Zhurgenov</institution><country>Russian Federation</country></aff><pub-date pub-type="collection"><year>2010</year></pub-date><pub-date pub-type="epub"><day>08</day><month>10</month><year>2010</year></pub-date><volume>2</volume><issue>4(6)</issue><fpage>37</fpage><lpage>45</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Абикеева Г.О., Abikeeva G.O., 2010</copyright-statement><copyright-year>2010</copyright-year><copyright-holder xml:lang="ru">Абикеева Г.О., Abikeeva G.O.</copyright-holder><copyright-holder xml:lang="en">Абикеева Г.О., Abikeeva G.O.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/281">https://www.vestnik-vgik.com/jour/article/view/281</self-uri><abstract/><trans-abstract xml:lang="en"><p>The article explores the transformation of female images from the Soviet time till the Independence in Central Asian cinemas. The main images of woman of the Soviet East were determined by ideology: first to give her freedom from feudalism, then to educate. Later appeared other images - of heroic daughters of labor and war. There was no space for being just a woman. Only the image of respectable mother was the stable for the national cinemas and still represents the national cultural identity.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>женщина советского Востока</kwd><kwd>мусульманство</kwd><kwd>Родина-мать</kwd><kwd>героические дочери</kwd><kwd>прекрасные возлюбленные</kwd><kwd>самосожжение женщины</kwd><kwd>проститутка</kwd><kwd>респектабельные матери</kwd><kwd>семья</kwd><kwd>культурная идентичность</kwd></kwd-group><kwd-group xml:lang="en"><kwd>woman of the Soviet East</kwd><kwd>Islam</kwd><kwd>Motherland</kwd><kwd>heroic Daughters</kwd><kwd>beautiful Lovers</kwd><kwd>self-immolation of a woman</kwd><kwd>prostitute</kwd><kwd>respectable mothers</kwd><kwd>family</kwd><kwd>cultural identity</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Марфуа Тохтаходжаева «Между лозунгами коммунизма и законами ислама», Ташкент, 2000, С 30.</mixed-citation><mixed-citation xml:lang="en">Марфуа Тохтаходжаева «Между лозунгами коммунизма и законами ислама», Ташкент, 2000, С 30.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Shirin Akiner "Contemporary Central Asian Women", the article in the book "Post-Soviet women: Jrom the Baltic to Central Asia", Cambridge University Press, 1997, p. 268.</mixed-citation><mixed-citation xml:lang="en">Shirin Akiner "Contemporary Central Asian Women", the article in the book "Post-Soviet women: Jrom the Baltic to Central Asia", Cambridge University Press, 1997, p. 268.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
