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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.69975/2074-0832-2010-5-3-74-88</article-id><article-id custom-type="elpub" pub-id-type="custom">vgik-270</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Трилогия о Смерти, или Между Дионисом и Аполлоном</article-title><trans-title-group xml:lang="en"><trans-title>Jean Cocteau. Trilogy about Death, or Between Dionysius and Apollo</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Виноградов</surname><given-names>Владимир Вячеславович</given-names></name><name name-style="western" xml:lang="en"><surname>Vinogradov</surname><given-names>Vladimir Vyacheslavovich</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff xml:lang="ru" id="aff-1"><institution>ВГИК</institution><country>Russian Federation</country></aff><pub-date pub-type="collection"><year>2010</year></pub-date><pub-date pub-type="epub"><day>08</day><month>07</month><year>2010</year></pub-date><volume>2</volume><issue>3(5)</issue><fpage>74</fpage><lpage>88</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Виноградов В.В., 2010</copyright-statement><copyright-year>2010</copyright-year><copyright-holder xml:lang="ru">Виноградов В.В.</copyright-holder><copyright-holder xml:lang="en">Vinogradov V.V.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/270">https://www.vestnik-vgik.com/jour/article/view/270</self-uri><abstract><p>Статья посвящена фильмам Ж. Кокто: «Кровь поэта», «Орфей», «Завещание Орфея», образующим своеобразную трилогию. Автор работы анализирует основную образную систему трилогии в категориях аполлонического и дионисийского начала и приходит к определенным типологическим выводам относительно мифотворчества Ж. Кокто. Кроме исследования «современного» мифа о Поэте и Смерти, автор статьи обозначает культурный контекст каждого из вышеназванных произведений.</p></abstract><trans-abstract xml:lang="en"><p>The article is devoted to three films made by Jean Cocteau - Le Sang d'un poиte, Orphйe, Le Testament d'Orphйe, that form a trilogy of a kind. The author analyses the main image system of the trilogy in Apollonic and Dyonisic terms and comes to certain typological conclusions about Cocteau's mythology. Beside exploring the "modern" myth of Poet and Death, the article describes the cultural context around each of the mentioned ilms</p></trans-abstract><kwd-group xml:lang="ru"><kwd>аполлоническое</kwd><kwd>дионисийское</kwd><kwd>сюрреализм</kwd><kwd>автоматическое письмо</kwd><kwd>архетип</kwd><kwd>мифология</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Apollonic</kwd><kwd>Dyonisic</kwd><kwd>surrealism</kwd><kwd>automatic writing</kwd><kwd>archetype</kwd><kwd>mythology</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Бодлер Ш. Цветы зла. М.: Наука, 1970.</mixed-citation><mixed-citation xml:lang="en">Бодлер Ш. Цветы зла. М.: Наука, 1970.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Кокто Ж. Петух и арлекин. 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La Clй des champs, Paris: Йditions du Sagittaire, 1953.</mixed-citation></citation-alternatives></ref><ref id="cit4"><label>4</label><citation-alternatives><mixed-citation xml:lang="ru">Jean Cocteau / Claude-Jean Philippe, Paris, Seghers, 1989.</mixed-citation><mixed-citation xml:lang="en">Jean Cocteau / Claude-Jean Philippe, Paris, Seghers, 1989.</mixed-citation></citation-alternatives></ref><ref id="cit5"><label>5</label><citation-alternatives><mixed-citation xml:lang="ru">Du Cinйmatographe / Jean Cocteau ; textes rйunis et prйs. par Andrй Bernard et Claude Gauteur, Paris, Belfond, 1988.</mixed-citation><mixed-citation xml:lang="en">Du Cinйmatographe / Jean Cocteau ; textes rйunis et prйs. par Andrй Bernard et Claude Gauteur, Paris, Belfond, 1988.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
