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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-267</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Некоторые аспекты семантики цвета в кино и культурная традиция (Окончание. Начало в № 3-4)</article-title><trans-title-group xml:lang="en"><trans-title>Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Клопотовская</surname><given-names>Елена Арсеньевна</given-names></name><name name-style="western" xml:lang="en"><surname>Klopotovskaya</surname><given-names>Yelena Arsenyevna</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ВГИК</institution><country>Россия</country></aff><aff xml:lang="en"><institution>VGIK</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2010</year></pub-date><pub-date pub-type="epub"><day>08</day><month>07</month><year>2010</year></pub-date><volume>2</volume><issue>3(5)</issue><fpage>54</fpage><lpage>63</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Клопотовская Е.А., 2010</copyright-statement><copyright-year>2010</copyright-year><copyright-holder xml:lang="ru">Клопотовская Е.А.</copyright-holder><copyright-holder xml:lang="en">Klopotovskaya Y.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/267">https://www.vestnik-vgik.com/jour/article/view/267</self-uri><abstract/><trans-abstract xml:lang="en"><p>(Conclusion. For beginning see Issue #3-4)The article is devoted to an important topic: the semantics of color in ilms and its relection in the costume. It also touches upon the problem of visual perception and forming diferent color systems. Digital technologies open widest opportunities in the ield of ilm production, but the ofered rich color palette is used very poorly. It is worth reminding that color is one of ilm's main expressive means and should be treated with proper attention.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>цвет</kwd><kwd>кино</kwd><kwd>костюм</kwd><kwd>семантика</kwd><kwd>традиция</kwd></kwd-group><kwd-group xml:lang="en"><kwd>color</kwd><kwd>ilm art</kwd><kwd>costume</kwd><kwd>semantics</kwd><kwd>tradition</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Аполлон. - М.:Эллис Лак, 1997. 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