<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.3 20210610//EN" "JATS-journalpublishing1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">vgik-176</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ТЕЛЕВИДЕНИЕ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>TELEVISION</subject></subj-group></article-categories><title-group><article-title>Нейромедиа как новый формат образов цифровой реальности</article-title><trans-title-group xml:lang="en"><trans-title>Neuromedia as a New Format of Digital Reality Images</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0003-2264-2859</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Уразова</surname><given-names>С. Л.</given-names></name><name name-style="western" xml:lang="en"><surname>Urazova</surname><given-names>S. L.</given-names></name></name-alternatives><bio xml:lang="ru"><p>доктор филологических наук, доцент</p></bio><bio xml:lang="en"><p>Doctor in Philology, Associate Professor, Editor-in-Chief of the academic journal “Vestnik VGIK”</p></bio><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff xml:lang="en" id="aff-1"><institution>S.A. Gerasimov All-Russian State University of Cinematography (VGIK)</institution><country>Russian Federation</country></aff><pub-date pub-type="collection"><year>2023</year></pub-date><pub-date pub-type="epub"><day>31</day><month>07</month><year>2023</year></pub-date><volume>15</volume><issue>3(57)</issue><fpage>140</fpage><lpage>150</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Уразова С.Л., 2023</copyright-statement><copyright-year>2023</copyright-year><copyright-holder xml:lang="ru">Уразова С.Л.</copyright-holder><copyright-holder xml:lang="en">Urazova S.L.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/176">https://www.vestnik-vgik.com/jour/article/view/176</self-uri><abstract><p>В статье обосновывается новый термин «нейромедиа», обозначающий применение нейросетей, искусственного интеллекта при создании творческого продукта креативными индустриями. Практика использования таких методик пока невелика, это дело первопроходцев, ставящих задачу апробации ускоренных подходов к творческому процессу, осваивающих технологические инновации. Но овладение новыми техниками расширения творческого моделирования, будь то в кинопроизводстве, в медиаиндустрии или в научных изысканиях, способно увеличить творческо-производственный потенциал креативных индустрий, сформировать сегмент нейромедиа, который займет свою нишу в цифровом медиарынке.</p></abstract><trans-abstract xml:lang="en"><p>The article justifies the emergence of the term “neuromedia” to designate the use of neural networks, artificial intelligence for the development of products in creative industries. So far the practice of applying these methods is limited to pioneers who choose to evaluate speedy approaches to the creative process, to master technological innovations. Mastering new ways of extending creative modeling — be it in film production, media industries or scientific research — can augment the creative and production potential of creative industries, form a separate neuromedia segment which will occupy its own niche in the media market.The main problem is related to the transition of mankind to a new stage of social development — the information and digital age, which began to develop rapidly with the arrival of the millennium, — where a person interacts with knowledgeintensive technologies and develops in line with the algorithm “man-machine”.However, the ongoing processes of large-scale training in Russia and worldwide in the use of artificial intelligence for producing creative products pose serious questions for society and creative industries (cinema, media industry). A media product should comply with the criteria of a creative idea, originality, novelty, and not be turned out according to templates, targeting solely the economic result. But mass machine learning assumes that media products are produced by people who do not have professional and scientific knowledge. As a result, there emerges an independent neuromedia segment on the media market, which is filled with products of low quality and questionable content.The article quotes famous scientists (V.I. Vernadsky, Pierre Teilhard de Chardin, E. Cassirer, M.K. Mamardashvili, V.M. Mezhuev, M.N. Epstein) who stressed the development of science and individual culture in society. And this is the task to be realized by the creative industries at the turning point in the life of society in order to develop the individual's need for reflexion and cognition of new phenomena. The article substantiates the advent of the next stage of social reforms — the information-quantum era, which will rely upon the collective consciousness of social actors.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>нейромедиа</kwd><kwd>нейросети</kwd><kwd>искусственный интеллект</kwd><kwd>креативные индустрии</kwd><kwd>кластеризация</kwd><kwd>кино</kwd><kwd>медиапродукт</kwd></kwd-group><kwd-group xml:lang="en"><kwd>neuromedia</kwd><kwd>neural networks</kwd><kwd>artificial intelligence</kwd><kwd>creative industries</kwd><kwd>clustering</kwd><kwd>film</kwd><kwd>media production</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Вернадский В.И. Научная мысль как планетное явление. — М.: Наука, 1991. — 271 с.</mixed-citation><mixed-citation xml:lang="en">Vernadskij V.I. (1991) Nauchnaya mysl' kak planetnoe yavlenie[Scientific thought as a planetary phenomenon]. — Moskva: Nauka, 1991. — 271 p. (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Кассирер Э. Философия символических форм. Том 1. Язык - М.; СПб.: Университетская книга, 2001. С.25–26. // Цит.: Цифровая библиотека по философии//URL.: http://filosof.historic.ru/books/item/f00/s00/z0000754/st000.shtml (дата обращения 17.07.2011).</mixed-citation><mixed-citation xml:lang="en">Kassirer E. (2001) Filosofiya simvolicheskih form [Philosophy of symbolic forms]. Tom 1. YAzyk — Moskva; Sankt-Peterburg.: Universitetskaya kniga, 2001. P. 25–26. // Cit.: Cifrovaya biblioteka po filosofii//URL.: http://filosof.historic.ru/books/item/f00/s00/z0000754/st000.shtml (data obrashcheniya 17.07.2011). (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit3"><label>3</label><citation-alternatives><mixed-citation xml:lang="ru">Мамардашвили М.К. Сознание и цивилизация. — СПб.: Азбука, Азбука-Аттикус, 2011.</mixed-citation><mixed-citation xml:lang="en">Mamardashvili M.K. (2011) Soznanie i civilizaciya [Consciousness and civilisation]. — Sanrt-Peterburg: Azbuka, Azbuka-Attikus, 2011. (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit4"><label>4</label><citation-alternatives><mixed-citation xml:lang="ru">Межуев В.М. История, цивилизация, культура: опыт философского истолкования. — СПб. СПбГУП, 2011. — 440 c.</mixed-citation><mixed-citation xml:lang="en">Mezhuev V.M. (2011) Istoriya, civilizaciya, kul'tura: opyt filosofskogo istolkovaniya [History, Civilisation, Culture: Experience of Philosophical Interpretation ]. — Sankt-Peterburg. SPbGUP, 2011. — 440 p. (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit5"><label>5</label><citation-alternatives><mixed-citation xml:lang="ru">Прохоров А., Коник Л. Цифровая трансформация: анализ, тренды, мировой опыт. — М.: ООО «КомНьюс Групп», 2019. — 368 с.</mixed-citation><mixed-citation xml:lang="en">Prohorov A., Konik L. (2019) Cifrovaya transformaciya: analiz, trendy, mirovoj opyt [Digital Transformation: Analyses, Trends, Global Experience ]. — Moskva: OOO «KomN'yus Grupp», 2019. — 368 p. (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit6"><label>6</label><citation-alternatives><mixed-citation xml:lang="ru">Уразова С.Л. Креативные индустрии как метасистема и фактор социальной адаптации в новой цифровой реальности// Вестник ВГИК, Т. 15, № 1(55), 2023. С. 146–150.</mixed-citation><mixed-citation xml:lang="en">Urazova S.L. (2023) Kreativnye industrii kak metasistema i faktor social'noj adaptacii v novoj cifrovoj real'nosti[ Creative industries as a metasystem and a factor of social adaptation in the new digital reality]// Vestnik VGIK, T. 15, № 1 (55), 2023. Pp. 146–150. (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit7"><label>7</label><citation-alternatives><mixed-citation xml:lang="ru">Уразова С.Л. Век цифровой информации: креативность vs. творчество// Вестник Российского университета дружбы народов. Серия: Литературоведение. Журналистика. 2017. Т. 22. С. 650–659.</mixed-citation><mixed-citation xml:lang="en">Urazova S.L. (2017) Vek cifrovoj informacii: kreativnost' vs. tvorchestvo [The age of digital information: creativity vs. creation ] // Vestnik Rossijskogo universiteta druzhby narodov. Seriya: Literaturovedenie. ZHurnalistika. 2017. T. 22. Pp. 650-659. (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit8"><label>8</label><citation-alternatives><mixed-citation xml:lang="ru">Уразова С.Л., Кильпеляйнен Е.С. Виртуальная реальность и медиареальность: тенденции и прогнозы эволюции медиасистемы//Вестник Российского университета дружбы народов. Серия: Литературоведение. Журналистика. 2018. Т. 23. № 4. С. 410-421.</mixed-citation><mixed-citation xml:lang="en">Urazova S.L., Kil'pelyajnen E.S. (2018) Virtual'naya real'nost' i mediareal'nost': tendencii i prognozy evolyucii mediasistemy [Virtual Reality and Media Reality: Trends and Forecasts of Media System Evolution ]//Vestnik Rossijskogo universiteta druzhby narodov. Seriya: Literaturovedenie. ZHurnalistika. 2018. T. 23. № 4. Pp. 410- 421. (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit9"><label>9</label><citation-alternatives><mixed-citation xml:lang="ru">Уразова С.Л. Телевидение как институциональная система отражения социокультурных потребностей. Автореферат диссертации на соискание ученой степени д-ра филол.наук/ Академия медиаиндустрии. — Москва, 2012. — 63 с.</mixed-citation><mixed-citation xml:lang="en">Urazova S.L. (2012) Televidenie kak institucional'naya sistema otrazheniya sociokul'turnyh potrebnostej [Television as an institutional system for reflecting socio- cultural needs]. Avtoreferat dissertacii na soiskanie uchenoj stepeni d-ra filol.nauk/ Akademiya mediaindustrii. — Moskva, 2012. — 63 p. (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit10"><label>10</label><citation-alternatives><mixed-citation xml:lang="ru">Фаликман М. Что такое когнитивная наука и чем она занимается // Логос. 2014. № 1 (97). С. 2—18.</mixed-citation><mixed-citation xml:lang="en">Falikman M. (2014) CHto takoe kognitivnaya nauka i chem ona zanimaetsya [What cognitive science is and what it does] // Logos. 2014. № 1(97). Pp. 2–18. (in Russ).</mixed-citation></citation-alternatives></ref><ref id="cit11"><label>11</label><citation-alternatives><mixed-citation xml:lang="ru">Цифровой кодекс в России// TADVISER, 11.10.2023//URl.: https://www.tadviser.ru/index.php/Статья: Цифровой_кодекс_в_России (дата обращения 12.10.2023)</mixed-citation><mixed-citation xml:lang="en">Cifrovoj kodeks v Rossii [The Digital Code in Russia]// TADVISER,11.10.2023//URl.: https://www.tadviser.ru/index.php/Stat'ya: Cifrovoj_kodeks_v_Rossii (data obrashcheniya 12.10.2023) (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit12"><label>12</label><citation-alternatives><mixed-citation xml:lang="ru">Уэбстер Ф. Теории _информационного _общества/Фрэнк Уэбстер;_пер. с англ. — М.В. Арапова, Н.В. Малыхиной; Под ред. Е.Л. Вартановой. — М.: Аспект Пресс,2004. — 400 с.</mixed-citation><mixed-citation xml:lang="en">Uebster F. (2004) Teorii _informacionnogo obshchestva [Theories of the information society] / Frenk Uebster;_per.s angl.– M.V. Arapova, N.V. Malyhinoj; Podred. E.L. Vartanovoj.– Moskva:Aspekt Press, 2004. — 400 p. (in Russ.).</mixed-citation></citation-alternatives></ref><ref id="cit13"><label>13</label><citation-alternatives><mixed-citation xml:lang="ru">Эпштейн М.Н. Проективный словарь гуманитарных наук / М.Н. Эпштейн — «НЛО», 2017 — (Энциклопедии, справочники, словари). — 563 с</mixed-citation><mixed-citation xml:lang="en">Epshtejn M.N. (2017) Proektivnyj slovar' gumanitarnyh nauk [Projective Dictionary of the Humanities] / M.N. Epshtejn — «NLO», 2017 — (Enciklopedii, spravochniki, slovari). — 563 p. (in Russ.).</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
