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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.17816/VGIK49969</article-id><article-id custom-type="elpub" pub-id-type="custom">vgik-14</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ТЕЛЕВИДЕНИЕ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>TELEVISION</subject></subj-group></article-categories><title-group><article-title>Конвергентная аудитория: подходы к изучению</article-title><trans-title-group xml:lang="en"><trans-title>Convergent Audience: Research Approaches</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Бакулев</surname><given-names>Г. П.</given-names></name><name name-style="western" xml:lang="en"><surname>Bakulev</surname><given-names>G. P.</given-names></name></name-alternatives><bio xml:lang="ru"><p>доктор филологических наук, профессор</p></bio><bio xml:lang="en"><p>Doctor of Philology</p></bio><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff xml:lang="en" id="aff-1"><institution>S.A. Gerasimov Russian State Institute of Cinematography (VGIK)</institution><country>Russian Federation</country></aff><pub-date pub-type="collection"><year>2021</year></pub-date><pub-date pub-type="epub"><day>22</day><month>03</month><year>2024</year></pub-date><volume>13</volume><issue>1(47)</issue><fpage>120</fpage><lpage>127</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Бакулев Г.П., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Бакулев Г.П.</copyright-holder><copyright-holder xml:lang="en">Bakulev G.P.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/14">https://www.vestnik-vgik.com/jour/article/view/14</self-uri><abstract><p>В статье рассматривается проблема исследования аудитории современной медиасистемы, формируемой процессами конвергенции/деконвергенции. Широкое распространение в домах цифровых технологий вносит существенные коррективы в изучение медиапользования. Отсутствие при измерении аудитории взаимосвязи между качественными и количественными показателями не позволяет выявить точную картину медиаконтактов и моделей потребления в новой медиасреде. Рассматривается ряд теоретических концепций анализа конвергентной аудитории, в том числе подход «медиарепертуаров»/«медиаансамблей», которые обеспечивают анализ не одного конкретного медиума, а целого медиакомплекса и популяризируемого им контента во взаимосвязи. Новый подход к исследованию бросает вызов не только традиционным бизнес-моделям и медиасистемам, но и существующим представлениям об «аудитории».</p></abstract><trans-abstract xml:lang="en"><p>The article discusses the problem of audience research in modern media system formed by convergence/deconvergence. Digital media technologies proliferation in home requires new approaches to study the uses of multiple media devices depending on different social contexts and situations. The conceptual divide between two traditional methods of audience study — qualitative and quantitive — does not allow to paint the correct picture of users’ media contacts and behavior in a new media environment. The members of the convergent audience continue watching TV, but at the same time they download video, use streaming services, look for content in the net, share their material with others and even remix and remake content. It is noted that considering all current media transformation audience research should be shifted to analysis of individual media practices of users who form their personal “media repertoire’’ / “media ensemble” out of contacts with different media technologies, platforms, genres and types of content. In conclusion it is underlined that new models of production, distribution and consumption challenge not only traditional business-models and media system but also existing conceptions of audience. Researchers should not take for granted the audience issues in media discussions but search for new approaches to adapt to the current media situation.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>аудитория</kwd><kwd>конвергентная аудитория</kwd><kwd>медиа-исследование</kwd><kwd>конвергенция/ деконвергенция</kwd><kwd>медиа- использование</kwd><kwd>концепция «медиа-репертуаров»</kwd></kwd-group><kwd-group xml:lang="en"><kwd>audience</kwd><kwd>convergent audience</kwd><kwd>media consumption</kwd><kwd>media research</kwd><kwd>convergence/deconvergence</kwd><kwd>“media repertoires”</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Бакулев Г.П. 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