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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.69975/2074-0832-2025-66-4-180-190</article-id><article-id custom-type="elpub" pub-id-type="custom">vgik-1205</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>КИНОПРОИЗВОДСТВО И ПРОКАТ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>FILM PRODUCTION &amp; DISTRIBUTION</subject></subj-group></article-categories><title-group><article-title>Российский рынок дистрибуции независимых зарубежных фильмов</article-title><trans-title-group xml:lang="en"><trans-title>Russian Market of Independent Foreign Films</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-3517-3484</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Косинова</surname><given-names>М. И.</given-names></name><name name-style="western" xml:lang="en"><surname>Kosinova</surname><given-names>M. I.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Марина Ивановна Косинова</p><p>кандидат философских наук, доцент, старший научный сотрудник НИИКК ВГИКа.</p><p>129226, Москва, ул. Вильгельма Пика, 3.</p><p>AuthorID: 57220963153</p></bio><bio xml:lang="en"><p>Marina I. Kosinova</p><p>Cand. Sci. (Philosophy), Associate Professor, Senior Researcher, Research Institute of Cinematography and Film Education, Russian State University of Cinematography n. a. S.A. Gerasimov (VGIK). </p><p>3 Wilhelm Pieck Str., Moscow, 129226</p><p>AuthorID: 57220963153</p></bio><email xlink:type="simple">kosimarina@yandex.ru</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0009-0005-3349-753X</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Золотых</surname><given-names>М. Д.</given-names></name><name name-style="western" xml:lang="en"><surname>Zolotykh</surname><given-names>M. D.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Максим Дмитриевич Золотых</p><p>бакалавр кафедры управления в сфере культуры, кино, телевидения и индустрии развлечений Государственного университета управления.</p><p>109542, Москва, Рязанский проспект, 99.</p></bio><bio xml:lang="en"><p>Maxim D. Zolotykh</p><p>Bachelor of Arts, Department of Management in Culture, Film, Television and Entertainment Industry, State University of Management.</p><p>99, Ryazansky prospect, Moscow, 109542</p></bio><email xlink:type="simple">max.zolotyh11@gmail.com</email><xref ref-type="aff" rid="aff-2"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Всероссийский государственный университет кинематографии им. С.А. Герасимова (ВГИК)</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian State University of Cinematography n. a. S.A. Gerasimov (VGIK)</institution><country>Russian Federation</country></aff></aff-alternatives><aff-alternatives id="aff-2"><aff xml:lang="ru"><institution>Государственный университет управления</institution><country>Россия</country></aff><aff xml:lang="en"><institution>State University of Management</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2025</year></pub-date><pub-date pub-type="epub"><day>19</day><month>12</month><year>2025</year></pub-date><volume>17</volume><issue>4(66)</issue><fpage>180</fpage><lpage>190</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Косинова М.И., Золотых М.Д., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Косинова М.И., Золотых М.Д.</copyright-holder><copyright-holder xml:lang="en">Kosinova M.I., Zolotykh M.D.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/1205">https://www.vestnik-vgik.com/jour/article/view/1205</self-uri><abstract><p>В статье рассматриваются крупнейшие российские дистрибьюторы зарубежного независимого кино, анализируются особенности локализации независимого кино в России. Выделяются релизные модели дистрибуции независимого кино в России. Анализируется роль специализированных кинотеатральных сетей и отдельных кинотеатров в прокате независимого кино. Исследуются особенности планирования релиза независимого фильма. Рассматриваются вопросы государственной поддержки дистрибуции независимых фильмов. Выявляются основные барьеры для дистрибуции независимого зарубежного кино в России. Даются характеристики успешной стратегии адаптации независимого зарубежного кино на российском рынке.</p></abstract><trans-abstract xml:lang="en"><p>The article looks at the largest Russian distributors of foreign independent films, analyzes the localization of independent films in Russia. Release models in the distribution of inde- pendent films in Russia are highlighted. The role of specialized cinema chains and indi- vidual cinema houses in the distribution of independent films is analyzed. The intricacies of planning the release of an independent film are studied. Issues of state support for the distribution of independent films are considered. The main obstacles to the distribution of independent foreign films in Russia are identified. Characteristics of a successful strategy for adapting independent foreign films to the Russian market are outlined.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>дистрибуция</kwd><kwd>независимое кино</kwd><kwd>фильм</kwd><kwd>релиз</kwd><kwd>кинопрокат</kwd><kwd>артхаус</kwd></kwd-group><kwd-group xml:lang="en"><kwd>distribution</kwd><kwd>independent film</kwd><kwd>film</kwd><kwd>release</kwd><kwd>film distribution</kwd><kwd>arthouse</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">«Вольга». URL: https://vlg.film (дата обращения: 27.04.2025).</mixed-citation><mixed-citation xml:lang="en">“Vol`ga”. 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