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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.69975/2074-0832-2025-66-4-171-179</article-id><article-id custom-type="elpub" pub-id-type="custom">vgik-1204</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>КИНОПРОИЗВОДСТВО И ПРОКАТ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>FILM PRODUCTION &amp; DISTRIBUTION</subject></subj-group></article-categories><title-group><article-title>Искусственный интеллект и его возможности в современном кинопроизводстве: предварительные наблюдения</article-title><trans-title-group xml:lang="en"><trans-title>Artificial Intelligence and Its Potential in Contemporary Filmmaking: Preliminary Observations</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-3194-6021</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Кочеляева</surname><given-names>Н. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Kochelyaeva</surname><given-names>N. А.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Нина Александровна Кочеляева</p><p>кандидат исторических наук, начальник отдела разработки и апробации методик кинопросвещения НИИКК ВГИКа. </p><p>129226, Москва, ул. Вильгельма Пика, 3.</p><p>AuthorID: 354508</p></bio><bio xml:lang="en"><p>Nina А. Kochelyaeva</p><p>Cand. Sci. (History), Head of the Department for Development and Testing of Film Education Methods, Research Institute of Cinematography and Film Education, Russian State University of Cinematography n. a. S. A. Gerasimov (VGIK). </p><p>3 Wilhelm Pieck Str., Moscow, 129226</p><p>AuthorID: 354508</p></bio><email xlink:type="simple">nina.kochelyaeva@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Всероссийский государственный университет кинематографии им. С.А. Герасимова (ВГИК)</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian State University of Cinematography n. a. S.A. Gerasimov (VGIK)</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2025</year></pub-date><pub-date pub-type="epub"><day>19</day><month>12</month><year>2025</year></pub-date><volume>17</volume><issue>4(66)</issue><fpage>171</fpage><lpage>179</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Кочеляева Н.А., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Кочеляева Н.А.</copyright-holder><copyright-holder xml:lang="en">Kochelyaeva N.А.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/1204">https://www.vestnik-vgik.com/jour/article/view/1204</self-uri><abstract><p>Статья является предварительным обзором новейших тенденций в современном кинопроизводстве, связанных в первую очередь с появлением технологий искусственного интеллекта (AI). В тексте статьи представлен обзор основных сфер применения технологий ИИ, а также ставится вопрос о возможностях и ограничениях этих технологий в творческом процессе, исследуются аспекты влияния новых технологий и результаты изменений в кинопроизводстве.</p></abstract><trans-abstract xml:lang="en"><p>The article is a preliminary review of the latest trends in modern film production, primarily related to the emergence of artificial intelligence (AI) technologies. The text of the article provides an overview of the main areas of implementation of AI technologies, and also raises the question of the possibilities and limitations of these technologies in the creative process, examines aspects of the influence of new technologies and the results of changes in film production.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>современный кинопроцесс</kwd><kwd>новые технологии в кинопроизводстве</kwd><kwd>искусственный интеллект</kwd><kwd>нейросети</kwd><kwd>организация кинопроцесса</kwd><kwd>генерация изображения</kwd><kwd>генерация звука</kwd></kwd-group><kwd-group xml:lang="en"><kwd>сontemporary film process</kwd><kwd>new technologies in film production</kwd><kwd>artificial intelligence</kwd><kwd>neural networks</kwd><kwd>organization of the film process</kwd><kwd>image generation</kwd><kwd>sound generation</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Artificial General Intelligence / ed. by Ben Goertzel, Cassio Pennachin. 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