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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.69975/2074-0832-2025-66-4-144-159</article-id><article-id custom-type="elpub" pub-id-type="custom">vgik-1202</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ТЕЛЕВИДЕНИЕ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>TELEVISION</subject></subj-group></article-categories><title-group><article-title>Архетип Возрождения в телевизионных новостных сюжетах</article-title><trans-title-group xml:lang="en"><trans-title>The Renaissance Archetype in Contemporary Television News</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0001-8299-5061</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Лаврова</surname><given-names>Е. Н.</given-names></name><name name-style="western" xml:lang="en"><surname>Lavrova</surname><given-names>E. N.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Елена Николаевна Лаврова</p><p>выпускник аспирантуры кафедры теории и истории культуры, ответственный секретарь, редактор научного журнала «Медиакультура» Института кино и телевидения (ГИТР). </p><p>123007, Москва, ш. Хорошёвское, д. 32А.</p><p>AuthorID: 1246806</p></bio><bio xml:lang="en"><p>Elena N. Lavrova</p><p>Graduate of the Department of Theory and History of Culture, GITR Film and Television School, Executive Secretary, Editor of the Scientific Journal ‘‘Mediaсulture‘‘ of the GITR Film and Television School. </p><p>32A, Khoroshevskoe highway, Moscow, 123007</p><p>AuthorID: 1246806</p></bio><email xlink:type="simple">elena_478@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Институт кино и телевидения (ГИТР)</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Institute of Cinema and Television (GITR)</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2025</year></pub-date><pub-date pub-type="epub"><day>19</day><month>12</month><year>2025</year></pub-date><volume>17</volume><issue>4(66)</issue><fpage>144</fpage><lpage>159</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Лаврова Е.Н., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Лаврова Е.Н.</copyright-holder><copyright-holder xml:lang="en">Lavrova E.N.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/1202">https://www.vestnik-vgik.com/jour/article/view/1202</self-uri><abstract><p>В статье рассматриваются способы конструирования реальности посредством современных медиа. Сюжетные особенности и семиотическая составляющая информационных аудиовизуальных произведений позволяют транслировать универсальные образы. В результате исследования автор приходит к выводу: архетип Возрождения (по термину К.Г. Юнга), а также библейский сюжет о спасении являются основой большинства новостных сюжетов. Полученные результаты способствуют раскрытию концептуальных особенностей телевидения, формирующего повестку дня и последующие поведенческие стратегии зрителя.</p></abstract><trans-abstract xml:lang="en"><p>The article discusses the ways of constructing reality through modern media. Plot features and the semiotic component in audiovisual information works allow for the transmission of universal images. The author comes to the conclusion that the archetype of Rebirth (a term coined by C.G. Jung), as well as the biblical story of salvation, underlie most news items. The results of the study contribute to the disclosure of the conceptual features of television, which impacts the viewer’s agenda and subsequent behavioral strategies.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>архетипы</kwd><kwd>бессознательное</kwd><kwd>Возрождение</kwd><kwd>мифологизация</kwd><kwd>новости</kwd><kwd>телевидение</kwd><kwd>СМИ</kwd><kwd>медиа</kwd></kwd-group><kwd-group xml:lang="en"><kwd>archetypes</kwd><kwd>the unconscious</kwd><kwd>the renaissance</kwd><kwd>mythologization</kwd><kwd>news</kwd><kwd>television</kwd><kwd>media</kwd><kwd>the media</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Барт Р. Мифологии. М.: Академический проект, 2014. 351 с.</mixed-citation><mixed-citation xml:lang="en">Bart, R. Mifologii [Mythology]. Moscow, Akademicheskij proekt, 2014. 351 p. 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