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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vgik</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник ВГИК</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik VGIK</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2074-0832</issn><issn pub-type="epub">2713-2471</issn><publisher><publisher-name>ВГИК</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.69975/2074-0832-2025-64-2-72-83</article-id><article-id custom-type="elpub" pub-id-type="custom">vgik-1145</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИСТОРИЯ ЗАРУБЕЖНОГО КИНО</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>WORLD FILM HISTORY</subject></subj-group></article-categories><title-group><article-title>Кинематограф КНДР: история и современность</article-title><trans-title-group xml:lang="en"><trans-title>North Korean Cinema: Past and Present</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0009-0006-8670-4341</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Прохоров</surname><given-names>К. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Prokhorov</surname><given-names>K. V.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Прохоров Кирилл Вячеславович - кандидат юридических наук, доцент.</p><p>115191, Москва, 4-й Рощинский проезд, д. 9А</p><p>AuthorID 751811</p></bio><bio xml:lang="en"><p>Kirill V. Prokhorov - Cand. Sci. (in Jurisprudence), Candidate of Law Sciences, Associate Professor, Moscow Psychological and Social University.</p><p>115191, Moscow, 9A, 4th Roshchinsky Ave.</p><p>AuthorID 751811</p></bio><email xlink:type="simple">kipr2005@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Московский психолого-социальный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Moscow Psychological and Social University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2025</year></pub-date><pub-date pub-type="epub"><day>20</day><month>06</month><year>2025</year></pub-date><volume>17</volume><issue>2(64)</issue><fpage>72</fpage><lpage>83</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Прохоров К.В., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Прохоров К.В.</copyright-holder><copyright-holder xml:lang="en">Prokhorov K.V.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vestnik-vgik.com/jour/article/view/1145">https://www.vestnik-vgik.com/jour/article/view/1145</self-uri><abstract><p>Статья посвящена киноискусству Корейской Народно-Демократической Республики (Северной Кореи), основным вехам его истории и художественным особенностям. Актуальность темы обусловлена не только активизацией двусторонних отношений между нашими странами, но и достаточно слабой изученностью данного вопроса. Новизна исследования заключается в системном изложении основных этапов развития северокорейского кинематографа от его зарождения в 1949 году по настоящее время. Автор выделяет основные жанры, присущие ему, и их характерные черты.</p></abstract><trans-abstract xml:lang="en"><p>The article is devoted to the history and artistic features of the cinema of the Democratic People's Republic of Korea (North Korea). This topic’s relevance is based not only on the strengthening of relations between our countries, but also on the insufficient research of this matter. The novelty of the study lies in the systematic presentation of the key stages of North Korean cinema from its inception in 1949 to the present. The author identifies its main genres and their characteristic features.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Корея</kwd><kwd>КНДР</kwd><kwd>история</kwd><kwd>телесериал</kwd><kwd>фантастика</kwd><kwd>анимация</kwd><kwd>Ким Чен Ир</kwd><kwd>Син Сан Ок</kwd><kwd>Нородом Сианук</kwd><kwd>Арман Гатти</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Korea</kwd><kwd>DPRK</kwd><kwd>history</kwd><kwd>television series</kwd><kwd>science fiction</kwd><kwd>animation</kwd><kwd>Kim Jong Il</kwd><kwd>Shin Sang Ok</kwd><kwd>Norodom Sihanouk</kwd><kwd>Armand Gatti</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Габрусенко Т. «Ирония судьбы» по-северокорейски. URL: https://iz.ru/692169/tatiana-gabrusenko/ironiia-sudby-po-severokoreiski (дата обращения: 15.08.2024).</mixed-citation><mixed-citation xml:lang="en">Gabrusenko, T. “Ironiya sudby” po-severokoreyski. 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