vgikВестник ВГИКVestnik VGIK2074-08322713-2471ВГИК10.69975/2074-0832-2025-64-2-158-172vgik-1143Research ArticleКИНОПРОИЗВОДСТВО И КИНОПРОКАТМировой опыт работы кинокомиссий: от локальных организаций к звеньям глобальной индустрииFilm Commissions: from Local Agencies to Links in the Global Industryhttps://orcid.org/0000-0003-0706-2354БеззубиковА. О.BezzubikovA. O.

Беззубиков Алексей Олегович - научный сотрудник НИИКК ВГИКа.

129226, Москва, ул. Вильгельма Пика, 3

AuthorID 1051689

Alexey O. Bezzubikov - Researcher of the Scientific Research Institute of Cinematography and Film Education (VGIK).

3 Wilhelm Pieck Str., Moscow, 129226

AuthorID 1051689

axbezzub@gmail.comОтдел разработки и апробации методик кинопросвещения Научно-исследовательского института киноискусства и кинообразования (НИИКК) Всероссийского государственного университета кинематографии им. С.А. Герасимова (ВГИК)РоссияDepartment of Development and Testing of Film Education Techniques of the Scientific Research Institute of Cinematography and Film Education (NIIKK), S.A. Gerasimov Russian Federation State University of Cinematography (VGIK)Russian Federation202520062025172(64)158172Copyright © Беззубиков А.О., 20252025Беззубиков А.О.Bezzubikov A.O.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://www.vestnik-vgik.com/jour/article/view/1143

В данной статье рассматриваются кинокомиссии как один из ключевых факторов глобализации кинопроизводства. Приводится справка об основных этапах становления подобных организаций, их современном функционале и описываются перспективы их развития. В статье также рассматриваются очевидные и неочевидные функции кинокомиссий в контексте глобализации, а также структура международного рынка кинолокаций, связующим звеном которого являются кинокомиссии. Исходя из обозначенных фактов формируется расширенный список неочевидных на первый взгляд задач, стоящих перед подобными институциями.

The article examines film commissions as one of the key factors in the globalization of film production. The article provides information about the history of such organizations, their current activities and the prospects for their further development. The article also explores the obvious and non-obvious functions of film commissions in the context of globalization and the structure of the international film location market, of which film commissions are the main liaison. Based on these facts, the author compiles an expanded list of seemingly unobvious challenges facing such institutions. This list can come in handy for developing personnel training methods for such organizations.

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The authors declare that there are no conflicts of interest present.