This article is the third in a series of articles on composition in thevisual arts (see “Composition as a Way of Communication in Teaching VisualArts.” — M.: VGIK Bulletin, No. 4 (38). 2018. P. 69–76. And “Actual Problemsof the Composition of the Artistic Image.”— M.: Bulletin of VGIK, No. 2 (40).2019. P. 67—78). The article shows that, similar symbolic images may have acompletely different semantic meaning depending on the viewer’s worldviewand attitudes. If we turn to the previous articles of this series, we will see thatthis meaning also depends on the context, thereby possessing ambiguity thatcomes up to an internal semantic contradiction within a single detail. Thearticle explores composition as a text, organized by complex interconnections ofsymbolic elements that form the integrity of the art form with its characteristic“super-sense” that goes beyond the sum of the meanings of the individual partsof the image. Here we can say that the true pictorial work involves the “invisible”which is not depicted on the canvas. Thereby, it is possible to convey not onlywhat is visible with the bodily eyes in the composition, but also the spiritualcontent of the depicted. This article attempts to show that a student who iscreating a composition, operates with signs, symbols, and even mythologemes,while working on a graphic text that needs to be organized in a holistic form.It completes the reasoning presented earlier in this series, and sums up theprevious arguments. A holistic image cannot be decomposed, because in thiscase a pile of symbolic elements will lose its basic meaning. In conclusion, thearticle shows that any element of composition as a system can only be consideredin conjunction with other elements, therefore there are immeasurably moreinformational interconnections than the elements themselves. Thus, the generalinformation is by definition greater than that contained in the simple sumof its elements, which gives the perceiver the opportunity to form additionalrelationships and associations, a “super meaning” i. e. a new thought, newunexpected feelings, a new understanding of something that seemed long andwell understood, giving rise to something akin to the “awakening” that suddenlydawns on a person.